sábado, 17 de julho de 2010
quarta-feira, 14 de julho de 2010
terça-feira, 15 de junho de 2010
PAULO LEMINSKI 1944-1989
source:http://www.askbiography.com/bio/Paulo_Leminski.html
Paulo Leminski Filho (Curitiba, August 24, 1944 - Curitiba, June 7, 1989) was a Brazilian poet and writer. He took pride in being of mixed Polish and African descent.
His first small-press collection came out in the late 1970s. Although he never finished college, by the 1980s he knew Japanese, French, and English well enough to do translations. His most noted renderings are of Alfred Jarry, James Joyce, John Fante, John Lennon, Samuel Beckett, and Yukio Mishima. He also helped to produce a number of albums and was said to have taught judo.
Leminski was a prolific poet, wrote experimental prose / essays, occasionally wrote songs, and was a cultural agitator. He was the leading voice of his generation, having followed different paths of Brazilian lyric from the early 1960s through the late 1980s. His style of poetry has been compared to that of American poet e. e. cummings (song writer / singer Luciana Souza on the Tom Schanbel show on KCRW 89.9 fm 06/24/2009). He contributed to the journal Invenção, while still a teen and would maintain a strong sense of visuality and layout in his poetic output. Some of Leminski's poetry of the late 1970s/early 1980s has been linked to the controversial labe of poesia marginal. But his dedication to resolution in language set him apart. His collections Caprichos & Relaxos (1983) and DistraÃdos venceremos (1987) are landmarks. In the latter, his rigor and intertextual urges are clear. A neo-baroque narrative, Catatau (1975), has become a cult book. His home town Curitiba has sponsored a yearly celebration of his legacy and cultural vibrancy in Brazil. The event's name Perhappiness is taken from a one-liner by the poet.
Paulo Leminski Filho (Curitiba, August 24, 1944 - Curitiba, June 7, 1989) was a Brazilian poet and writer. He took pride in being of mixed Polish and African descent.
His first small-press collection came out in the late 1970s. Although he never finished college, by the 1980s he knew Japanese, French, and English well enough to do translations. His most noted renderings are of Alfred Jarry, James Joyce, John Fante, John Lennon, Samuel Beckett, and Yukio Mishima. He also helped to produce a number of albums and was said to have taught judo.
Leminski was a prolific poet, wrote experimental prose / essays, occasionally wrote songs, and was a cultural agitator. He was the leading voice of his generation, having followed different paths of Brazilian lyric from the early 1960s through the late 1980s. His style of poetry has been compared to that of American poet e. e. cummings (song writer / singer Luciana Souza on the Tom Schanbel show on KCRW 89.9 fm 06/24/2009). He contributed to the journal Invenção, while still a teen and would maintain a strong sense of visuality and layout in his poetic output. Some of Leminski's poetry of the late 1970s/early 1980s has been linked to the controversial labe of poesia marginal. But his dedication to resolution in language set him apart. His collections Caprichos & Relaxos (1983) and DistraÃdos venceremos (1987) are landmarks. In the latter, his rigor and intertextual urges are clear. A neo-baroque narrative, Catatau (1975), has become a cult book. His home town Curitiba has sponsored a yearly celebration of his legacy and cultural vibrancy in Brazil. The event's name Perhappiness is taken from a one-liner by the poet.
terça-feira, 1 de junho de 2010
sábado, 29 de maio de 2010
terça-feira, 25 de maio de 2010
segunda-feira, 26 de abril de 2010
CURRÍCULO NADA ESPETACULAR
Pucci Consultoria - cuidando de quem cuida
Programas de desenvolvimento de pessoas / Fone/fax: (41) 3039-1998 cel: (41) 9964-8733 Email: f.pucci@terra.com.br
CURRÍCULO NADA ESPETACULAR
Carl Sagan propôs o seguinte calendário cósmico: admitamos a formação de nosso universo, há 15 bilhões de anos, pela grande explosão a que se convencionou chamar Big Bang. Condensemos o período decorrente desde então nos 365 dias de um ano. Teremos um calendário indicando a data de origem da Via Láctea (1º de maio), a do sistema solar (9 de setembro), a da formação da Terra (14 de dezembro), a da origem da vida na Terra (cerca de 25 de setembro), a da formação das rochas (2 de outubro), a dos primeiros micro-organismos sexuados (1º de novembro), a das plantas capazes de fotossíntese (12 de novembro), a das primeiras células com núcleo (15 de novembro). Somente no dia 1º de dezembro uma atmosfera significativamente rica em oxigênio começaria a se desenvolver na Terra, seguida do florescimento dos invertebrados (17 de dezembro), dos vertebrados (dia 19), da disseminação de vegetais (dia 20) e de insetos (21) pelo planeta.Entre os dias 22 e 24, poderíamos assistir ao surgimento dos primeiros insetos alados, das primeiras árvores, dos primeiros répteis e dinossauros. Mamíferos e pássaros não surgiriam antes do dia 28, mesma data em que apareceriam as primeiras flores e tornar-se-iam extintos os dinossauros. Esta é a véspera do aparecimento dos primitivos cetáceos, assim como dos primatas. Os hominídeos viriam à cena no dia 30 de dezembro e no dia 31, finalmente, os primeiros homens dariam o ar da graça. Do turbilhão dessas transformações o Homem resultaria, não como o produto mais importante ou singular, mas como um deles. Seria uma probabilidade em um mundo que poderia muito bem, como o fez durante a maior parte de sua história, existir sem ele. Por conseguinte, devermos ter humildade diante da imensidão de um universo solene e soberanamente indiferente à pequenez de nossos espasmos de grandeza. Existe um mundo que é independente do Homem, do qual este é um resultado, uma “modificação” – se é que nesta escala de raciocínio este termo tem algum sentido. Precisa dizer mais, chefe?
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